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Friday, March 31, 2023

Picture book remembers Icelandic Women's Day Off


I Dare! I Can! I Will!

The Day the Icelandic Women Walked Out and Inspired the World

Written by Linda Olafsdottir

Cameron Kids, 2023

“I Dare! I Can! I Will!” opens as Mamma bundles up her daughter Vera to go on a women’s march with her. As they take a bus to the march, she tells Vera about the Women’s Day Off or the Long Friday. This was a march she went to with her own mother on this day in 1975 when she was a child Vera’s age.

Women’s Day Off happened on October 24, 1975. Women from all over Iceland marched out of their homes and jobs. They took the day off.

Mamma explains that women had been fighting for equal rights for many years. At one time, girls weren’t allowed to go to school. They were kept at home to learn how to take care of the household and children.

As time went by, more women got educations and worked outside the home. But they were paid only about one half of what men were paid, Mamma tells Vera.

In 1975, the United Nations declared the year International Women’s Year. Women of Iceland decided it was time to show the world how important they were. So, they decided to take the day off and show their bosses, their coworkers, their husbands, and everyone how much they were missed.

At exactly 2 p.m., women of Ireland walked out of their jobs and homes. They marched, sang, and cheered, “I dare! I can! I will!”


The men had to do all the work that women usually did – both on the job and in the home. For them, the day felt very long. That is why the day was nicknamed Long Friday.

The news of what the Icelandic women did traveled around the world, and inspired similar women’s strikes all over.


Mamma tells Vera that it is important for them to remember the women who dared to leave their jobs and march for women’s rights. She asks her daughter, “Will you dare?” Vera shouts, “I WILL!” as she joins the march.

This picture book is a good story for girls today who can be inspired by Ireland’s history. The colorful illustrations have an old-fashioned feel and bring the story to life.

In the back of the book, the author tells more details about Ireland’s Women’s Day Off with photographs. She says today Iceland is one of the most gender-equal countries in the world. However, women have not gained complete parity with men. They continue the fight.

One criticism is that if this story takes place today, Vera’s mother would not be old enough to have marched in a protest in 1975 as a child. Instead, Mamma could have told her daughter about marching on the anniversary of the Women’s Day Off when she was a child.

About the Author and Illustrator


Linda Olafsdottir
is an award-winning Icelandic children’s book author and illustrator. She wrote and illustrated “Play?”, published by Cameron Kids. She illustrated “Mindi and the Goose No One Else Could See,” published in the U.S. by Candlewick Press, 2021. She lives in Reykjavik, Iceland, with her husband and two children. Visit her at lindaolafsdottir.com.

Wednesday, October 19, 2022

Silly Book Entertains Children, Asking Them Not to Laugh


If You Laugh, I'm Starting This Book Over

Little Brown and Company, New York, 2022

Written by Chris Harris, Illustrated by Serge Bloch

“If You Laugh, I’m Starting This Book Over” is designed to entertain young children. Over and over, the narrator demands that the listener not laugh. Meanwhile, the book does everything it can – silly names, goofy ideas, and crazy images – to get children to giggle.


The book would work best if the reader hams it up with silly voices and animated language. The reader should try to make the child laugh while begging him/her not to laugh. Thus, this is an interactive book between the reader and child. It could be a nice bonding experience.

“If You Laugh” is a meta book reminiscent of “The Stinky Cheese Man and Other Fairly Stupid Tales,” 1997, by Jon Scieszka and illustrated by Lane Smith and “The Book with No Pictures,” 2014, by B.J. Novak.


The illustrations by Serge Bloch are as zany as the text. And the type is funny, too, with lots of capital letters, different sizes and colors, and exclamation points.  

Before reading this book aloud, the reader should read it over. This will give the reader time to learn the material and give a better performance.

About the Author


Chris Harris
is the author of the New York Times bestseller “I’m Just No Good at Rhyming: And Other Nonsense for Mischievous Kids and Immature Grown-ups,” illustrated by Lane Smith, and “The Alphabet’s Alphabet,” illustrated by Dan Santat. He is also a screenwriter and executive producer for comedy TV shows. He lives in Los Angeles.

About the Illustrator


Serge Bloch
is the author and artist of “Reach for the Stars: and Other Advice for Life’s Journey;” “You Are What You Eat: and Other Mealtime Hazards,” and “3,2,1 … Draw! Reimagine Your World with 50 Drawing Activities.” He is a Society of Illustrators Gold Medal winner and has illustrated many other books for children. He lives in Paris.

Monday, October 17, 2022

Picture book introduces kids to Hindu holiday Diwali

Diwali in My New Home

Written by Shachi Kaushik and illustrated by Aishwarya Tandon

Beaming Books, 2022

Priya has moved to America from India. Today is Diwali, a favorite Hindu holiday. She is excited as she thinks about the celebration.

But she is saddened to look out the window and see no decorations. She remembers how her school in India celebrated the holiday. The halls were decorated. Everyone wore traditional outfits, made cards, and sang songs. Here, no one seems to know about the holiday.


She goes home and smells cardamom, an Indian spice, and warm ghee, butter. Her mother is baking.

“It smells like Diwali,” she says.

She helps her mother clean house. She remembers her grandmother saying, “Goddess Lakshmi always visits a clean and decorated house.”


She sits on the front steps making a flower as a rangoli with colorful sand. A rangoli is supposed to bring luck and happiness.


Neighbors come by and compliment her work. They also comment on the delicious aromas coming from the house.

Later, Priya and her father decorate the house with lights. Again, neighbors come by and ask if they are decorating early for Christmas. Priya explains it is for Diwali, the festival of lights. Papa invites them to come back later to celebrate with them.

Priya and her parents change into traditional costumes. They say prayers, and light clay lamps, the diyas, and incense sticks in front of figurines of Hindu deities.

The neighbors come and celebrate with them. Priya is happy again, and thinks, “It feels like Diwali.”

The children play with sparklers outdoors. Fireworks are Priya’s favorite part of the celebration.


“This Diwali isn’t the same as in India,” Priya thinks, “but it’s Diwali in my new home.”

At the back of the book, there are two pages giving information about the Diwali holiday. There is also a glossary defining words used in the book.

The illustrations by Aishwarya Tandon are colorful and bright. They will draw children into the story.

“Diwali in My New Home,” introduces American children to the popular Hindu holiday Diwali. Diwali happens in October or November on the night of a full moon. It is celebrated on the third day of the five-day festival.

On this day, Lord Rama, his wife Sita, and his brother Lakshman came back to his kingdom Ayodhya after spending 14 years in exile. Diwali celebrates the victory of light over darkness, good over evil, and hope over despair.  

In America, Indian organizations host events for Diwali. Most cities have these events.

About the Author


Shachi Kaushik
is a children’s media enthusiast, writer, and storyteller. Raised in India, she currently lives in Vancouver with her husband. This is her debut picture book.  

About the Illustrator


Aishwarya Tandon
is an illustrator and cartoonist. She holds a bachelor of science and an honors degree in animation and multimedia from the Birla Institute of Technology. Aishwarya lives in India.

Tuesday, September 13, 2022

Father comforts daughter after her childhood home burns


Dear Wild Child: You Carry Your Home Inside You

Written by Wallace J. Nichols and Wallace Grayce Nichols

Illustrated by Drew Beckmeyer

Cameron + Company, 2022

This picture book, “Dear Wild Child: You Carry Your Home Inside You,” was inspired by a letter a father wrote to comfort his daughter after her childhood home burned down. She had just left home for college.

The story is in the father’s voice. It begins “We built your house around you when you were still growing inside your mother, in the shade of ancient redwood trees, by a creek, not far from the ocean.”


He tells his daughter that her home helped make her the person she is today. It was built strong of hardwood and stone. The family filled it with books, guitars, a piano, pets, and memories.

She learned to walk there, and listened to sweet lullabies. The wind sang though the canyon, the trees, and the chimney. The fireplace crackled and kept them warm.

In the canyon, she played. She discovered salamanders, swimming holes and fairy houses. She collected buckets of plums, heart-shaped rocks, and crawdads. Bright stars peeked through the trees and owls called.

They had sleepovers, holiday gatherings, parties, and weddings in the house. They entertained many visitors and had delicious dinners there.

The house withstood droughts, floods, and earthquakes. She was there to see it all.

Then a lightening storm blew through the canyon. It started a wildfire.

“The unstoppable flames roared over the ridges and climbed the tall trees,” writes the father. “The fire took back your house. I wish I could have protected it. But I couldn’t and I didn’t.”

But he tells his daughter, “Your house served its original purpose. You are healthy and strong because of your home. It grew you.

“The house might be gone, but you will carry your home with you wherever you go. You are my wild child.”

The colorful illustrations bring life to the book. Their colored marker style appeals to children.

At the back of the book, the author Wallace J. Nichols tells about the fire. He says climate change is making weather less predictable and more extreme. We will need to become resilient and more creative.

About the Authors


Wallace J. Nichols
wrote this picture book with his daughter Wallace Grayce Nichols. Wallace J. Nichols is a marine biologist. He lives in the Slow Coast of Central California. 


Wallace Grayce Nichols
is a student of sustainable design.

About the Illustrator


Drew Beckmeyer
is a fine artist, an illustrator, and an elementary school teacher. He lives in California.

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Sunday, June 26, 2022

‘Sarah Rising’ helps children understand protest


Sarah Rising

Written by Ty Chapman and illustrated by DeAnn Wiley

Beaming Books, 2022

Sarah is a young girl who keeps beetles and ants as pets. One morning her father tells her she won’t go to school today. Instead, she will go with him to a protest.

Dad explains that the police killed a black person. Police are supposed to serve and protect us, he says, but they hurt us instead. That’s why it is important to stand up for what is right and keep each other safe.

Sarah and her dad join a crowd of people carrying signs and shouting for justice. It is loud and scary, but Sarah holds her father’s hand and feels safe.


Then Sarah sees a monarch butterfly and follows it. The butterfly flies right into a police officer’s face. He jumps back and smacks at the butterfly. It falls to the ground and remains there.

Sarah runs to the butterfly. The police officer shouts, “Get back!”

Sarah picks up the butterfly and runs back into the crowd. She doesn’t know where her father is. She shouts for him a long time, but can’t find him. Finally, a woman protester kneels down to help her.

The protester lets her sit on her shoulders so she can see over the crowd. They search and shout. Finally, Sarah spots her dad. She jumps down and runs to him.

She and her dad stay at the protest for a while. Sarah holds her dad’s hand and yells with the crowd, “No justice, no peace!”

Sarah puts the butterfly in a jar with leaves. At night, Dad sits at Sarah’s bedside. He tells her, “It’ll be okay. I’ll keep you safe, just like you kept your butterfly safe.”

After a few days, the monarch is better. Sarah sets it free outdoors and watches it fly away.

The colorful, bold illustrations by DeAnn Wiley help to tell the story and make it attractive and engaging to young people. 

Although police brutality is a scary topic for children, Chapman is careful to emphasize how Sarah’s father keeps her safe and the community is supporting one another.

The author Chapman was inspired by the protests in Minneapolis after the police killing of George Floyd. He wanted to write a children’s book that gave children an opportunity to think about racial injustice, protest, and being part of a community that protects one another.

In an author’s note, Chapman writes about his experience growing up black in the Twin Cities. He also tells about racial inequities there and the problem of police killing black people in the Twin Cities. He says black people came together to keep one another safe during the Minneapolis Uprising.

The backmatter includes a list of things children can do to address racism and a discussion guide for parents and educators.

About the Author


Ty Chapman
is a Minneapolis Twin Cities-based author, poet, puppeteer, and playwright of Nigerian and European descent. He is passionate about art that speaks to the black experience in America. His recent accomplishments include being named a Loft Literary Center Mirrors and Window fellow and publishing poetry through multiple journals.

About the Illustrator


DeAnn Wiley
is a Detroit-based artist who has been painting traditionally for over five years. She recently broke into the digital art world and shares her artwork with a large online audience. She is an advocate for social justice and is dedicated to making art that is authentic and intentional in empowering black, queer, overweight, and disabled people.

 

Friday, May 13, 2022

Story of gay weight-lifting champ empowers children

 

Strong

Written by Rob Kearney and Eric Rosswood, illustrated by Nidhi Chanani

Little, Brown and Company, 2022

Rob Kearney always knew that he liked to feel strong. As a child, he lifted heavy boxes and brought all the groceries into the house in one trip.

In school, he liked to test his strength in tug of war and guarding the quarterback in football. In high school, he felt powerful lifting other cheerleaders into the air. His favorite sport was weight lifting.

A teacher introduced him to the Strongman competition. In it, men lifted logs, stones, and tires. He trained to compete. He went from lifting 150 pounds to 400 pounds over his head.

But on the day of the competition, he struggled. He finished in last place.

His life brightened up when he met Joey at a weightlifting event. The two of them fell in love. Today they are married.

Rob and Joey trained together.  Rob prepared for the North American championship event.

Joey encouraged Rob to dress in the brighter colors he preferred when he lifted. Rob began dressing in bright colors and dyed his mohawk a rainbow of colors.

During training, Joey lifted more than only weights. He lifted cars, and once pulled a fire truck down the street.

Rob was nervous on the day of the competition, but he did his best and he won! At the back of the book, Rob includes an encouraging message to children. He tells them to believe in themselves.

He also includes more information about the strongman sport including the definitions of expressions used in the sport.  

Nidhi Chanani's illustrations are bright and kid-friendly, carrying the reader through the story. 

About the Authors


Rob Kearney is the only openly gay professional strongman in the world. He is a North American champion, a world-record holder, and a Pro Ambassador for Athlete Ally. He lives in Massachusetts with his husband Joey.


Eric Rosswood is an LGBTQ+ activist and the award-winning author of “Journey to Same-Sex Parenthood” and “The Ultimate Guide for Gay Dads.” He lives in New York with his husband Mat and their two children.

About the Illustrator


Nidhi Chanani is the award-winning creator of the graphic novels “Pashmin” and “Jukebox,”and the illustrator of many picture books, including “I Will Be Fierce” by Bea Birdsong. She lives in the San Francisco Bay area with her husband and child. Visit her online at everydayloveart.com.

Monday, May 2, 2022

Velveteen Rabbit celebrates 100 years in print


The Velveteen Rabbit

Written by Margery Williams and illustrated by William Nicholson

Reproduced by Suzeteo Enterprises, 2017; Originally published in 1922

“The Velveteen Rabbit” is a classic children’s book celebrating its 100th year in print this month.

Very few children’s books remain in print for so long. Most picture books sell between 5,000 and 10,000 copies in hardcover and go out of print within two years.

“The Velveteen Rabbit” endures because of its universal theme about love and its appeal to both children and adults.

The story begins with a boy receiving a velveteen rabbit as a gift at Christmas. The child likes the toy when he first gets it, but quickly forgets it in the excitement of looking at all his new presents.

For a long time, the velveteen rabbit lives in the toy cupboard mostly ignored. He is snubbed by the more modern mechanical toys.

The only toy who is kind to the rabbit is the wise skin horse, the oldest toy in the nursery. One day the velveteen rabbit asks the skin horse, "What is real?"

The skin horse explains that when a child loves you for a long, long time, you become real. Nursery magic makes you real. By the time you become real most of your hair has been loved off. Your eyes may fall out and you are loose in the joints and very shabby.

But these things do not matter because once you are real you can’t be ugly except to those who don’t understand.

The skin horse is real because years ago the boy’s uncle made him real. Once you are real you will always be real, the skin horse explains. It lasts forever.

One day when the boy is going to bed, he cannot find the china dog that always sleeps with him. Nana hands him the rabbit. This is how the boy begins sleeping with the velveteen rabbit every night. In the spring and summer, the boy takes the rabbit outdoors with him when he plays.

Finally, the rabbit hears the boy tell Nana that the rabbit is real. He feels almost too happy to sleep. So much love stirs in his sawdust heart that it almost bursts.

One day when the velveteen rabbit is outdoors, he sees two real rabbits. They ask him why doesn’t he get up and play with them. He doesn’t want to admit that he can’t move. Finally, one of the real rabbits says the velveteen rabbit doesn’t smell right and he isn’t real. The velveteen rabbit insists he is real, but the rabbits hop away.

The velveteen rabbit becomes more and more shabby, but the boy loves him just as much. To him, his rabbit is just as beautiful. It doesn’t matter to the velveteen rabbit how he looks to other people. The boy loves him.

Then one day, the boy becomes ill. He has scarlet fever. In 1922, there were no medicines to treat this illness. Children sometimes died from it.

The velveteen rabbit stays at the boy’s side. He knows the boy needs him. He looks forward to the time when they can go outside and play.

Finally, the boy gets better. He sits up in bed and looks at picture books while the velveteen rabbit cuddles at his side. One day, they let him get up and dress.  They tells him he will go to the seaside the next day.

The velveteen rabbit looks forward to the seaside. But the boy’s doctor says everything in the boy’s room should be disinfected. The books and toys that he played with in bed must be burned. 

The rabbit is put in a sack with the picture books and carried out to the garden to be burned the next day. The boy is told the velveteen bunny was lost. He is in a different room and he has a new bunny to sleep with him.

The rabbit feels very lonely. He wriggles enough so he can get his head out of the opening of the sack. He thinks, “Of what use was it to be loved and lose one’s beauty and become real if it ended like this?” A real tear trickles down his nose and falls on the ground.

Where the tear falls a flower grows.  A fairy steps out of the blossom. She says she is the nursery magic fairy. She says she takes care of all the play things that children have loved.

The fairy carries the rabbit into the wood. Wild rabbits dance there. She tells them she has brought them a new playmate. She kisses the velveteen rabbit and puts him down on the grass. He has become a real rabbit.

The next spring the boy goes out to play in the wood. He sees two rabbits and he notices one of them looks just like his old bunny. But he didn't know it was his own bunny who had come back to look at the child who first helped him to be real.

Over the years, “The Velveteen Rabbit” has been illustrated by many artists including Maurice Sendak and Sarah Massini. Erin Stead illustrated a special 100th anniversary edition published this year by Doubleday Books for Young Readers. However, the original illustrator was William Nicholson.

Nicholson’s illustrations are sparse. They are done in dull colors and filled with shadows. Like the story, his illustrations are melancholy.   

The 2017 edition is intended to closely reproduce the original children’s book which was published in 1922. On the title page, the full title is “The Velveteen Rabbit or How Toys Become Real.”

About the Author


Margery Williams
was an English-American author, primarily of children’s books. She achieved lasting fame at 41 with the publication of “The Velveteen Rabbit” in 1922. This classic is her best-known work. She received a Newberry Honor for “Winterbound.”


William Nicholson
was a British painter of still-lifelandscape and portraits. He was also a printmaker, a designer for theater, a children’s book author, and an illustrator.