The Pied Piper of Hamelin
Adapted by Marine Tasso, illustrated by Thomas
Baas. and translated from French by Noelia Hobeika
Little Gestalten, Berlin, 2016
“The Pied Piper of Hamelin” is a beautifully
illustrated, deliciously eerie version of the traditional cautionary tale
popularized by the Brothers Grimm.
French illustrator Thomas Baas
uses bright reds and dark blues to create a sinister mood as a small German
town is suddenly invaded by rats on Christmas Eve.
The story is set in 1283 though
the characters are curiously clothed in 20th century fashions. The
townspeople enjoy a carefree life of lavish parties, but they regard their
children as bothersome.
A rat sneaks in through the town
gates, followed by a second rat, and a third rat. After a few minutes, there
are a few hundred rats, and after a few hours, a few thousand. It isn’t long
before the town is overrun by rats.
Panicked townspeople go to the
mayor, who orders the most powerful poison be used in mousetraps. But, alas,
the rats are so clever and hearty they avoid the mousetraps and feast on the poison
as if it were candy.
Desperately, the mayor announces he
will give a thousand gold coins to anyone who can rid the town of its rats.
A stranger comes to town and says
he knows how to free the town from its infestation. The mayor promises him the
reward if he succeeds.
The Pied Piper plays a small pipe
in the town square. The rats stop to listen. Then suddenly the square is full
of entranced rats.
The rats follow as the stranger
continues to play his pipe, walking toward the town gates. The Pied Piper stops
on a bridge, but the rats keep moving and throw themselves into the river to
drown.
The townspeople celebrate as the Pied Piper goes to the mayor to claim his reward. The mayor says all he will give him is one hundred gold coins. The Pied Piper tells him he will regret that decision.
The adults
return to their lavish ways, and the mayor congratulates himself for tricking
the stranger.
But one day,
the Pied Piper returns playing his pipe. All the children of Hamelin come and
follow him. Their parents try to hold them back, but to no avail. The children
skip across the bridge, over the river, and disappear into the mountains, never
to be seen again.
Ever since that
day, the wind from the mountains brings the echo of happy children laughing.
The story is
about fairness and the importance of keeping promises. This version of the traditional
tale is less bleak than other accounts where the children are drowned or
imprisoned in a cave.
Nevertheless, it
would be disturbing for very young children. It is probably best for grammar
school youngsters.
About the Illustrator
Thomas Baas is a French
illustrator of many children’s books. He attended the School of Applied Arts in
Strasbourg, France. He describes his
style as old school and in the tradition of Alsatian illustrators.
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